Culture

Book Review: ‘One Aladdin Two Lamps,’ by Jeanette Winte...

In her new book, Jeanette Winterson attempts to frame modern-day issues within a...

Book Review: ‘Crux,’ by Gabriel Tallent

Gabriel Tallent’s new book, “Crux,” follows high school seniors trying to transc...

Book Review: ‘Nothing Random,’ by Gayle Feldman

In “Nothing Random,” her rousing biography of Bennett Cerf, Gayle Feldman conjur...

Book Review: ‘Half His Age,’ by Jennette McCurdy

Jennette McCurdy follows “I’m Glad My Mom Died” with “Half His Age,” a debut nov...

With Her First Novel, Jennette McCurdy Wants to See You...

The author of the memoir “I’m Glad My Mom Died” hopes her debut novel, about a t...

Art Gallery Shows to See in January

This week in Newly Reviewed, Jillian Steinhauer covers Elda Cerrato’s mystical a...

After an Earthquake, Preserving a Slow Craft in a Fast ...

In Wajima, Japan, where hundreds of homes and studios were destroyed, master-cla...

Met Museum Employees Vote to Unionize

The bargaining unit, which includes curatorial, conservation and retail departme...

A ‘Weird, Wonderful’ Night at the ‘Rocky Horror Picture...

City Winery’s 50th anniversary screening of the film encouraged some inventive d...

Gabriele Münter, an Overshadowed Pillar of Modern Art, ...

“Contours of a World” at the Guggenheim Museum includes paintings as well as pho...

Janet Fish, Painter of Luminous Still Lifes, Dies at 87

From her student days, she stubbornly refused to follow popular artistic trends....

The Most Beautiful Home Libraries T Magazine Has Covered

From Connecticut to Cairo, reading spots that will seem like paradise to book- a...

Everything Happens at Once in Faith Ringgold’s Mini-Ret...

A show highlights the artist’s extraordinary range with oil paintings, gouaches,...

The Smithsonian Faces New Pressure to Submit to Trump’s...

The institution, long regarded as independent, is facing a White House deadline ...

Convention-Defying in Life. In Art, Not So Much

“Carving Out History” offers the career highlights of Emma Stebbins, from the Be...

John Wilson’s Enduring Art of Racial Politics and Perso...

“Witnessing Humanity” at the Met, with more than 100 artworks, and a gaze both i...

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